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Tag Archives: NH photo workshop
Student photographer monthly photo critique session.
As a photo educator I feel that one of the best learning tools I can offer to my students is feedback on their results. One of the activities for photographers that I give is a critique of their photography. Every month I host a photo critique session at my studio that is open to the photographers who attend my workshops and photo tours.
Our photo review sessions are equally valuable learning experiences for myself and the photographers who take part. The group dialogue and insights shared help inform each photographer about their image making. I learn how effective my teaching has been when I see the results of those lesson shown in the student progress. They receive feedback from me and their peers and I gain valuable quality control on my photo education program. It is a win-win situation.
For more information about my monthly photo critique sessions go to the Meet-up.com event page. For more information about my photography workshops and tours contact me at email@example.com.
Buying a digital camera is the first step to becoming a better photographer
A common photo-rookie error is to think that once you have purchased that brand new digital camera you are going to start taking great photos. Following that same logic, many people think, the more money they spend on a camera the better their photos will be.
I got some bad news (and some good news.) Good photography is made by good photographers. No amount of deluxe camera equipment will matter if you do not have skills. Now the good news photography is a set of skills that are learnable and need to be practiced.
My mantra, that is often repeated in my photography workshops is “It is not the camera, It’s the photographer”.
Purchasing a camera is the beginning of the process, not the end for being able to create good photos. Our digital cameras are remarkable tools for personal and creative expression but they require some effort to master and use well. Invest the time and effort into learning how to make quality photos and you will be richly rewarded.
Creative photography is best produced in deliberate manner. Carefully observing your environment, finding visual opportunities is the name of the game. Knowing your camera and the tools it has for image making, is how you translate those observations. Photography, the craft of image making, requires practice and experience to master. No musician made it to Carnegie hall without practice and no photographer produced great images without the same commitment.
My point is not to discourage the new digital photographer. Rather, I want them to embrace the challenge and build their creative abilities.unities is the name of the game. Knowing your camera and the tools it has for image making, is how you translate those observations. Photography, the craft of image making, requires practice and experience to master. No musician made it to Carnegie hall without practice and no photographer produced great images without the same commitment.
The fact that photography provides an infinite learning opportunity is one of the reasons I most attracted to this profession. I vividly recall my first experience of watching a print develop before my eyes in a darkroom tray. At that moment (in 1972!) it occurred to me I would never be bored with photography, that if I did it every day for 100 years I will still have plenty to learn and practice. For me that insight was not daunting, it was inspirational.!
Thirty five years later I still work at my craft and practice new skills. That commitment to quality image making has been richly rewarded and I still have another 65 years to go before I discover if assumption was correct!
If you want to learn from my experience and get some guidance on becoming a better digital photographer attend one of my photography workshops or photo tours. Sign-up to receive my email notices about the workshops (see form on right sidebar) or contact me at firstname.lastname@example.org
RAW format is the best choice for image capture. JPEG format is the best choice for image distribution
Unsure why you should shoot RAW format images?
Don’t know how to process a RAW file on your computer?
I have the answer for you. On Thursday night (11/1) I will be presenting my RAW WORKFLOW WORKSHOP that will introduce you to the advantages for using the RAW format in your image capture. In this class we will cover the procedures and techniques you can use in your post production to use those advantages in your digital photography.
We will be primarily using Adobe Lightroom to show how to process RAW images and we will review the similar features in Adobe Bridge Camera Raw. In Lightroom we are working primarily in the Library and Develop modules and this workshop is a good introduction to this productive tool for digital photographers.
Topics include a review of digital asset management (DAM),and then will move in photo editing techniques (white balance, exposure. tonal correction, etc..). The aim is to introduce the digital photographer to a systematic approach to post-production of their RAW format captures.
RAW image conversion to the DNG format will be covered. I will explain the value of using the DNG format that has been introduced by Adobe. In my client photography I have found this a very useful option and I think it will ultimately become the industry standard for a universal RAW format. For a good explanation of the DNG format and some of the future capabilities that Lightroom will have to work in this format check out this article on CNET ” Revamped DNG format shows new Lightroom possibilities”
The RAW WORKFLOW WORKSHOP is one of a series of digital photography classes that I present. This program of photography education includes class sessions at my Nashua, NH studio and in locations throughout New England along with photography tours. The photography tours single to multi-day workshops at great locations for photography. Recent photo tours include Quebec, the Bronx Zoo, the Isle of Shoals, and the summit of Mt. Washington. On President’s Day weekend (Feb. 16-18, 2013) I will be hosting a Photography Weekend in Times Square, presented with our travel partner NH Tours. For more information on these photo workshops contact me at email@example.com
My goal for all the people who attend one of my workshops or photo tours is to make them better photographers. They have to pick up a new skill, learn a new technique or become more confident in their creative approach in my sessions . If they don’t, I fell like I have not delivered for them with my photography education experiences.
The question then becomes how do I know my students are learning from these workshops?
The simple answer is that I have witnessed the improvements in ability during my photography critique sessions. For the last three years I have held a monthly photo critique session with the photographers who have attend my photo classes. The proof of the success of my teaching efforts is in the quality of photography they are producing .
As an educator there is genuine satisfaction in seeing how my shared knowledge is learned and embraced. Having verification of the effectiveness of my teaching methods is rewarding. What matters most is how delighted I am in seeing the growth in my photo students ability and powers of creative expression!
The photo critique sessions allow me to offer my photo students feedback on the lessons they have learned in my workshops. The value for them is that they can practice on their own and then learn by presenting those results to the group.
The dialogue and freely shared insights of the collected photographer at these monthly meetings has been a true source of inspiration and a wonderful learning experience.
For more information about these critique sessions contact me at firstname.lastname@example.org.
A point that I make in all of my photo workshops is about the most important photo accessory that every photographer must use. What is the “most important” photo accessory? you ask. Your feet. If you want to improve the look of your image; move!
Changing your camera position, your point of view, is the best way to improve how your photography looks. Compose your image carefully and fill your frame. Only include the essential visual elements in your frame. Determine your camera position relative to the direction of the light falling on your subject. Select a focal length the create the arrangement of distance you want to appear in your photo and then move your feet. Don’t believe me ? Here is what the iconic photojournalist had to say about the subject.
I offer a program of photography workshops and photographer tours at my studio in Nashua, NH and in locations throughout the Northeast. For more information contact me at email@example.com .
My next photographer workshop is October 13-14 in Lincoln, NH. For information about the third annual WHITE MOUNTAIN PHOTOGRAPHER WEEKEND go to the workshop website.
New Date Added for The Cog Railway – Mount Washington Observatory Photography Workshop
Test of Time Photography and Photographer Dan Splaine are happy to announce we have sold out the Sept. 10 session of this photography workshop and we will be adding a second date for this workshop on Sept. 11, 2012.
This one day photography workshop includes photography instruction, round trip passage on the historic Cog Railway to the Summit of Mount Washington with four hours for field photography. The workshop also includes a guided tour of the Mount Washington Observatory which is rare privilege. Access to this working weather station is restricted, and the tour will be one of the most unique features for this workshop.
This workshop presented in partnership with The Cog Railway and The Mount Washington Observatory with Test of Time Photography. Our goal is to give high quality photography education experiences in unique locations and the summit of Mount Washington could not be a better place for our photography event. This workshop will emphasize landscape photography techniques and we could not ask for a more dynamic location. The dramatic terrain , lively weather and lighting that we can encounter during this workshop is as unpredictable as exciting! The potential for creative image making makes this a truly one-of-a-kind photo learning and skill building experience.
Space is limited and registration is required to attend this workshop. For complete details and to register CLICK HERE
This photography workshop is one from the program of photography education events presented with photographer Dan Splaine. These include digital photography workshops and photographer tours held in locations throughout New England. In the last three years over 1200 photographers have attended on of the events presented by Test of Time Photography with professional photographer Dan Splaine.
Our next photography workshop is the WHITE MOUNTAIN PHOTOGRAPHY WEEKEND held on Oct. 13 and 14, 2012 at the Mountain Club on Loon in Lincoln NH. This is the third year we are holding this workshop at this great resort and location for photography. For details and registration CLICK HERE.
Some Tips And Info For Selecting The “correct” ISO For Your Digital Photography
ISO selection is important because it is allows the photographer to adapt to the lighting conditions found in their scene. The ISO value you select is one leg of the exposure triangle, along with aperture and shutter speed, which allows for precise exposure and creative control. Understanding ISO and how to use it is a fundamental photographer skill.
With digital cameras the ISO is a numerical value given for the level of sensitivity your camera sensor has to light. We saw the same rating system with film. Remember shooting ISO 100, 400, 800 etc… rated rolls of film? Do any of you old timers remember ASA ratings on film (pre-ISO)? With digital cameras we have the option to select a particular ISO value for every shot, which is a big advantage with digital photography.
In general the lower the ISO setting the less sensitive your sensor will be to light, the higher the ISO setting the more sensitive your sensor will be to light. This means that when you are shooting in bright conditions you can use a low ISO value and when shooting in low light conditions you select a high ISO value.
Most digital cameras offer a range of ISO values to choose from; 100 to 3200 is a common range of choices, although many models of camera go higher and lower. In general, the lower the ISO the better quality your results will be. Using a higher ISO will increase noise (digital artifacts), reduce sharpness and decrease the contrast ratio of your results. Digital cameras with larger sensors produce less of these negative effects than cameras with smaller sensors. Low ISO setting will then have less noise, more sharpness and a larger contrast ratio which will produce the higher quality images relative to high ISO settings.
In my opinion these disadvantage, the reductions in image quality have to be weighed against the benefits of having the option to shoot at a higher ISO rating. Most issues with noise, sharpness and contrast can be restored with software and I would urge you to shoot high values when conditions dictate. Being able to shoot action photos at high shutter speeds, with a telephoto lens in an indoor scene is only possible with high ISO values (1600, 3200, 6400) makes the trade-off in quality acceptable .
A variable ISO allows you to adapt your exposure settings to the scene and the creative options you want to use in your photography.
My general recommendation is to select the lowest ISO value that will allow for a proper exposure with the least noise.
ISO TIPS FOR DIGITAL PHOTOGRAPHERS
Here are some of my recommendations for using different ISO values in your digital photography. This is an important photographer tool and I encourage you to explore this option for exposure control in your photography. Good images always start with good camera work and ISO is a fundamental tool for photography.
- TURN OFF your AUTO ISO – By using auto ISO you are letting the camera give a ISO value choice and you are not deciding which ISO suits your photographic intent best the scene. This is one habit you want to change if your goal is to take control of your creative results.Turn AUTO ISO off, and leave it off!
- SELECT the ISO FOR THE SCENE: When you are beginning to determine your exposure settings, one of the first steps is to select an ISO value that is right for the scene and your photographic intentions. If you are in the woods with an overhead canopy of foliage blocking your light you would select a higher value. If you are shooting portraits with plenty of window light and you want to use large apertures for shallow depth of field then a low value would be your best choice. Evaluate the lighting resources and exposure options for the image you want to create and choose the ISO according to those objectives.
- CHANGES in ISO ARE EQUAL TO “STOPS” – When we change our exposure settings (in whole stop increments) we are halving or doubling the amount of exposure. For example if you move from F 11 to F 8 you are doubling the aperture size or if you move from 1/250th of second to 1/125th of a second you are cutting the duration of your exposure in half. The same ratio holds true with ISO, when you move from 400 to 800 you are doubling the sensitivity setting or as we would say increasing it by a “stop”. Digital cameras allow for incremental changes in EV (Exposure Value = Stops) usually and half and third stop amounts. You can refine exposure equally with aperture, shutter speed or ISO in those partial stop increments.
- SHOOT RAW – RAW is the best format for image capture and will yield the best results because you are collecting the maximum amount of data when you make your photo. JPEG is great file format to distribute photos but it produces less quality for capture. RAW files can be processed with photo editing software post capture to yield the highest quality images. The negative effects of shooting with high ISO (noise, sharpness, and contrast effects) are increased when shooting JPEG compared to RAW
- PLAY with EXPOSURE COMBINATIONS – There is no exact recipe for exposure combinations. Play with a variety of exposure combinations and ISO settings and compare your results on your computer. Each variable in the exposure triangle makes a difference in how your images will ultimately look. Experimenting with combinations will produce a variety of visual results.
- USE A TRIPOD – If you are seeking low noise, high sharpness and a wide contrast ratio that low ISO settings provide use a tripod. Long lenses and long exposure times make hand held photography difficult, especially in dim light at a low ISO. Securing you camera on a tripod is the solution for this type of shooting situation.
- SHOOTING HAND HELD with TELEPHOTO LENS – Long lenses are difficult to use when shooting hand-held. By increasing your ISO setting you can then shoot at faster shutter speeds which will eliminate the blur caused by camera movement. For example an ISO of 1000 with a shutter speed of 1/1000th of a second shooting with a 500 mm lens.
- HIGH SHUTTER SPEEDS = HIGH ISO – If you want to stop subject action you need to shoot at high shutter speeds. Increasing your ISO will allow you to increase your shutter speed. This is especially useful for shooting indoor sports or performances with limited stage lighting.
- USE ARTIFICIAL LIGHT – Sometimes we run into the limits of ISO choices in particular photographic conditions. For example you are shooting a portrait in a low available light setting. Facial details and skin looks best at low ISO values (100-200) and raising the ISO to a high value will produce less than flattering results. The solution to this situation it to use flash or other artificial light sources to keep the quality you desire. More light is often a better solution than a higher ISO.
Digital cameras have very precise exposure refinement tools and a variable ISO option is one of the most important. Understanding this feature and how to deploy, and how to select ISO for your scene ,to achieve your desired photographic result is essential for good image making.
ABOUT THE AUTHOR: Photographer and photo educator Dan Splaine has more than thirty years experience producing photography for public relations, marketing and editorial clients. His company TEST of TIME PHOTOGRAPHY based in Nashua, NH provides commercial photography services in studio and at client locations all over the world. He presents a program of digital photography workshops and photography tours for adults throughout New England.
Ten testimonials from some of the photographers who have attended one of my recent digital photography workshop and photographer tours.
I present a program of photography education for adult photographers of all skill levels. I host my digital workshops at my studio in Nashua, NH and at locations throughout New England. The photographer tour I organize at locations in New England as well at international locations.
Listed below are some of the testimonials posted by my photography students on the website of the IMAGE MAKERS PHOTOGRAPHIC WORKSHOP meet-up group I run. These comments are much appreciated and I think they show the level of positive experience my photo workshops offer to my photography students
“It was a great class. Dan was very informative. I really enjoy his easy-going and comical personality/instruction. He makes confusing concepts very easy to understand. Perfect Boston sites for this workshop.” Izzy S.
“OMG, this was such an AWESOME Class! Dan was AWESOME! I learned so much and had so much fun! And I’m looking at my pictures now and I am SO PLEASED! They came out incredible! Thank you so much for your time and sharing your knowledge Dan!!! “ Erica M.
“A great opportunity to see Boston in a different light (pun intended!). Dan provides the foundation before letting us loose to shoot, then provides whatever amount of supervision/advice each person wants. Definitely recommend” Marian
“A lot of really awesome work to review this month! Dan’s informative comments about each participant’s individual shots are so helpful. These meetups are a great way to share knowledge and learn how-to’s from other photographers. Again, thanks Dan for putting all the time in and being so willing to share your knowledge.” Sharon R.
”I always take away at least a few new ideas from Dan’s classes and this workshop not only did that but gave me a great way to challenge myself even more with a handout that included exercises. Thanks again, Dan.” Corinne C
“Had a great day and shot some decent images. Now to work on editing. Met some new people, practiced a new technique, shot some good images, had a great lunch and got exercise. Can’t ask for more…Thanks Dan it was really great” Laurie L-B
“A very welcoming, fun, casual gathering of budding photographers,lead by a pro who graciously lends his time, studio space, knowledge and humor to the group. I’m looking forward to next month’s meeting” Linda L.
“Great weekend full of information and techniques…and the ability to go out and try these tips. It was wonderful that if we needed one-on-one assistance Dan was there to help. Thanks very much for a successful photo weekend getaway.” Christine C
“Thanks, Dan, for the well-presented workshop and accompanying worksheets. You’re great explaining all the points and oh, so patient with the queries.” Jeanne P.
“I loved the informal setting. It was very easy to ask questions and the discussions were very informative. I walked away with a better understanding of aperture, shutter speed and ISO. And also learned some valuable tips. I loved this workshop” Angela Smith
My digital photography education program for adults includes field photography, studio photography, on-location sessions involving a range of photography topics. The photo tours are held in interesting locations and events around New England. For more information contact me at firstname.lastname@example.org or visit the TEST of TIME PHOTOGRAPHY website and add yourself to my email list.
Thanks to all the photography student who attended one of my recent workshops and photo tours. A special thanks to all of you who posted sch positive comments and testimonials. I look forward to seeing you at your nest photo workshop. _ Thanks, Dan
I am happy to announce we have had a tremendous response to our photography tour STEAM on SNOW. The trip is sold out!
Looking forward to the day in the White Mountains photographing the Conway Scenic Railroad steam engine in the winter landscape. Thanks to NH Tours for the help in organizing leading this photo tour.
We are getting to the end of summer and it is time to start making plans for the fall. Test of Time photography has posted a schedule of digital photography workshops and photography tours for September and October (2011). This line up includes a range of topics and a few field photography opportunities.
Night photography on Boston Harbor to classes on photo composition and a Glamour photography studio class with models are some of the options you have to choose from.
In October we are presenting our second annual WHITE MOUNTAIN PHOTOGRAPHER WEEKEND which will be held at the CLUB on LOON MOUNTAIN on the 15th and 16th. This weekend photo workshop organized with the able assistance of NH TOURS and features an expanded program . We are offering a $20 discount to folks who sign up before September 10th. This resort is well-appointed and the location in the heart of the White Mountains is a dream place for photography.
Here is a complete list of links and photo workshop titles.
Tuesday September 6, 2011 6:30 to 9:00 pm
Wednesday September 14, 2011 7:00 to 9:00 pm
Tuesday September 27, 2011 7:00 to 9:00 pm
Saturday October 1, 2011 1:00 pm to 3:300 pm
Thursday October 6, 20111 7:00 pm to 9:00 pm
Tuesday October 11, 2011 6:30 to 9:00 pm
Saturday and Sunday October 15-16, 2011 9:30 am Sat. to 2:00 pm on Sun.
Saturday October 29, 2011 11:00 am to 3:00 pm
Please consider attending our class and make sure you pass on this information to the digital photographers you know that may be interested.