Category Archives: Digital photography tips

Group Photo Project – Learning together

Check out the photography of my 52 Photo Walk Group!

Photograhy made by the 52 Week Photo Walk group organized by photographer Dan Splaine of Test of Time Photography.  The online group is part of his program of photography workshops and photographer tours he presents.

One of my goals as a photography educator is to give my photography students opportunities to practice the photography skills they learn in my workshops.  The photographer tours that I present are all built around the bringing photographers to unique locations to practice different types of photography.The 52 Week Photo Walk group I have organized on Flickr is another methods I have provided to get folks out with their cameras.

We have a group of 95 photographers  participating in the Photo Walk program! This group has worked hard all year and much of their beautiful image making is found on our group page.

Becoming a good photographer requires regular practice.  The more you work at learning your tools, practicing your camera work the better your photography will become.  Make sure you take some time to look at the photography produced by this wonderful group of photographers   I hope you admire their efforts and appreciate the work they are putting into their photographic craft.

Want to learn more about becoming a better digital photographer?

Make sure you sign-up for my email list (see right sidebar for form) so you can receive notices about my photography education program and photo tips.  I present photo workshops in my studio and at locations throughout New England and beyond.  In 2013 I will be introducing more interactive online learning programs that you will not want to miss.

 

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New Digital Camera- Now what do you do?

Buying a digital camera is the first step to becoming a better photographer

A common photo-rookie error is to think that once you have purchased that brand new digital camera you are going to start taking great photos. Following that same logic, many people think, the more money they spend on a camera the better their photos will be.

I got some bad news (and some good news.)  Good photography is made by good photographers. No amount of deluxe camera equipment will matter if you do not have skills.  Now the good news photography is a set of skills that are learnable and need to be practiced.

My mantra, that is often repeated in my photography workshops is “It is not the camera, It’s the photographer”.

Purchasing a camera is the beginning of the process, not the end for being able to create good photos.  Our digital cameras are remarkable tools for personal and creative expression but they require some effort to master and use well.   Invest the time and effort into learning how to make quality photos and you will be richly rewarded.

You bought anew digital camera - now what do you do.  Article about learning digital photography skills. ©2012 Daniel J. Splaine

Creative photography is best produced in deliberate manner.  Carefully observing your environment, finding visual opportunities is the name of the game. Knowing your camera and the tools it has for image making, is how you translate those observations.  Photography, the craft of image making, requires practice and experience to master.  No musician made it to Carnegie hall without practice and no photographer produced great images without the same commitment.

My point is not to discourage the new digital photographer.  Rather, I want them to embrace the challenge and build their creative abilities.unities is the name of the game. Knowing your camera and the tools it has for image making, is how you translate those observations.  Photography, the craft of image making, requires practice and experience to master.  No musician made it to Carnegie hall without practice and no photographer produced great images without the same commitment.

The fact that photography provides an infinite learning opportunity is one of the reasons I most attracted to this profession.  I vividly recall  my first experience of watching a print develop before my eyes in a darkroom tray. At that moment (in 1972!) it occurred to me I would never be bored with photography, that if I did it every day for 100 years I will still have plenty to learn and practice.  For me that insight was not daunting, it was inspirational.!

Thirty five years later I still work at my craft and practice new skills.  That commitment to quality image making has been richly rewarded and I still have another 65 years to go before I discover if assumption was correct!

If you want to learn from my experience and get some guidance on becoming a better digital photographer attend one of my photography workshops or photo tours.  Sign-up to receive my email notices about the workshops (see form on right sidebar) or contact me at info@testoftimephoto.com

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The Power of RAW in Digital Photography

RAW format is  the best choice for image capture.  JPEG format is the best choice for image distribution

 

Unsure why you should shoot RAW format images?

Don’t know how to process a RAW file  on your computer?

 

I have the answer for you.  On Thursday night  (11/1) I will be presenting my RAW WORKFLOW WORKSHOP that will introduce you to the advantages  for using the RAW format in your image capture.  In this class we will cover the procedures and techniques you can use in your post production to use those advantages in your digital photography.

Screenshot of Adobe Lightroom develop module.  Photographer Dan Splaine will cover this tool in his RAW WORKFLOW WORKSHOP on November 1, 2012.  For more information coat him at info@testoftimephoto.com

We will be primarily using Adobe Lightroom to show how to  process RAW images  and  we will review the similar features in Adobe Bridge  Camera Raw.  In Lightroom we are  working primarily in the Library and Develop modules and this workshop is a good introduction to this productive tool for digital photographers.

Topics include a review of digital asset management (DAM),and then will move in photo editing techniques  (white balance, exposure. tonal correction, etc..).  The aim is to introduce the digital photographer to a systematic approach to post-production of their RAW format captures.

 

RAW image conversion to the DNG format will be covered.  I will explain the value of using the DNG format that  has been introduced by  Adobe.  In my client photography I have found this  a very useful option and I think it will ultimately become the industry standard for a universal RAW format.  For a good explanation of the DNG format and some of the future capabilities  that Lightroom will have to work in this format check out this article on CNET   ” Revamped DNG format shows new Lightroom possibilities”

 

The RAW WORKFLOW WORKSHOP is one of a series of  digital photography classes that I present.  This program of photography education  includes class sessions at my  Nashua, NH studio  and in locations throughout New England along with photography tours.  The photography tours single to multi-day workshops at great locations for photography. Recent photo tours include Quebec, the Bronx Zoo, the Isle of Shoals, and the summit of Mt. Washington.  On President’s Day weekend (Feb. 16-18, 2013) I will be hosting a Photography Weekend in Times Square, presented with our travel partner NH Tours.  For more information on these photo workshops contact me at info@testoftimephoto.com

 

 

 

 

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The Most Important Photo Accessory

A point that I make in all of my photo workshops is about the most important photo accessory that every photographer must use. What is the “most important” photo accessory? you ask.  Your feet.  If you want to improve the look of your image; move!

Changing your camera position, your point of view,  is the  best way to improve how your photography looks. Compose your image carefully and fill your frame.  Only include the essential visual elements in your frame. Determine your camera position relative to the direction of the light falling on your subject.  Select a focal length the create the arrangement of distance you want to appear in your photo and then move your feet.  Don’t believe me ?  Here is what the iconic photojournalist had to say about the subject.

Source: pinstamatic.com via Dan on Pinterest

 

I offer a program of photography workshops and photographer tours at my studio in Nashua, NH and in locations throughout the Northeast. For more information contact me at info@testoftiemphoto.com .

My next photographer workshop is October 13-14  in Lincoln, NH.  For information about the third annual WHITE MOUNTAIN PHOTOGRAPHER WEEKEND  go to the workshop website.

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What is ISO and how do use it in my photography?

Some Tips And Info For Selecting The “correct” ISO For Your Digital Photography

ISO selection is important because it is allows the photographer to adapt to the lighting conditions found in their scene. The ISO value you select is one leg of the exposure triangle, along with aperture and shutter speed, which allows for precise exposure and creative control.  Understanding ISO and how to use it is a fundamental photographer skill.

With digital cameras the ISO is a numerical value given for the level of sensitivity your camera sensor has to light.  We saw the same rating system with film.  Remember shooting ISO 100, 400, 800 etc… rated rolls of film?  Do any of you old timers remember ASA ratings on film (pre-ISO)?   With digital cameras we have the option to select a particular  ISO value for every shot, which is a big advantage with digital photography.

In general the lower the ISO setting the less sensitive your sensor will be to light, the higher the ISO setting the more sensitive your sensor will be to light.  This means that when you are shooting in bright conditions you can use a low ISO value and when shooting in low light conditions you select a high ISO value.

Most digital cameras offer a range of ISO values to choose from; 100 to 3200 is a common range of choices, although many models of camera go higher and lower.  In general, the lower the ISO the better quality your results will be.  Using a higher ISO will increase noise (digital artifacts), reduce sharpness and decrease the contrast ratio of your results.  Digital cameras with larger sensors produce less of these negative effects than cameras with smaller sensors. Low ISO setting will then have less noise, more sharpness and a larger contrast ratio which will produce the higher quality images relative to high ISO settings.

In my opinion these disadvantage, the reductions in image quality have to be weighed against the benefits of having the option to shoot at a higher ISO rating. Most issues with noise, sharpness and contrast can be restored with software and I would urge you to shoot high values when conditions dictate.  Being able to shoot action photos at high shutter speeds, with a telephoto lens in an indoor scene is only possible with high ISO values  (1600, 3200, 6400) makes the trade-off in quality  acceptable .

A variable ISO allows you to adapt your exposure settings to the scene and the creative options you want to use in your photography.

My general recommendation is to select the lowest ISO value that will allow for a proper exposure with the least noise. 

ISO TIPS FOR DIGITAL PHOTOGRAPHERS

Here are some of my recommendations for using  different ISO values in your digital photography.  This is an important photographer tool and I encourage you to explore this option for exposure control in your photography.  Good images always start with good camera work and ISO is a fundamental tool for photography.

 

  • TURN OFF your AUTO ISO – By using auto ISO you are letting the camera give a ISO value choice and you are not deciding which ISO suits your photographic intent best the  scene. This is one habit you want to change if your goal is to take control of your creative results.Turn AUTO ISO off, and leave it off!
  • SELECT the ISO FOR THE SCENE:  When you are beginning to determine your exposure settings, one of the first steps is to select an ISO value that is right for the scene and your photographic intentions.  If you are in the woods with an overhead canopy of foliage blocking your light you would select a higher value.  If you are shooting portraits with plenty of window light and you want to use large apertures for shallow depth of field then a low value would be your best choice.  Evaluate the lighting resources and exposure options for the image you want to create and choose the ISO according to those objectives.
  • CHANGES in ISO ARE EQUAL TO “STOPS” –  When we change our exposure settings (in whole stop increments) we are halving or doubling the amount of exposure.  For example if you move from F 11 to F 8 you are doubling the aperture size or if you move from 1/250th of second to 1/125th of a second you are cutting the duration of your exposure in half.  The same ratio holds true with ISO, when you move from 400 to 800 you are doubling the sensitivity setting or as we would say increasing it by a “stop”.  Digital cameras allow for incremental changes in EV (Exposure Value = Stops) usually and half and third stop amounts.  You can refine exposure equally with aperture, shutter speed or ISO in those partial stop increments.
  • SHOOT RAW –  RAW is the best format for image capture and will yield the best results because you are collecting the maximum amount of data when you make your photo. JPEG is great file format to distribute photos but it produces less quality for capture.  RAW files can be processed with photo editing software post capture to yield the highest quality images.  The negative effects of shooting with high ISO (noise, sharpness, and contrast effects) are increased when shooting JPEG compared to RAW
  • PLAY with EXPOSURE COMBINATIONS – There is no exact recipe for exposure combinations.  Play with a variety of exposure combinations and ISO settings and compare your results on your computer. Each variable in the exposure triangle makes a difference in how your images will ultimately look. Experimenting with combinations will produce a variety of visual results.
  • USE A TRIPOD – If you are seeking low noise, high sharpness and a wide contrast ratio that low ISO settings provide use a tripod.  Long lenses and long exposure times make hand held photography difficult, especially in dim light at a low ISO.  Securing you camera on a tripod is the solution for this type of shooting situation.
  • SHOOTING HAND HELD with TELEPHOTO LENS –  Long lenses are difficult to use when shooting  hand-held.  By increasing your ISO setting you can then shoot at faster shutter speeds which will eliminate the blur caused by camera movement.  For example an ISO of 1000 with a shutter speed of 1/1000th of a second shooting with a 500 mm lens.
  • HIGH SHUTTER SPEEDS = HIGH ISO –  If you want to stop subject action you need to shoot at high shutter speeds.  Increasing your ISO will allow you to increase your shutter speed.  This is especially useful for shooting indoor sports or performances with limited stage lighting.
  • USE ARTIFICIAL LIGHT – Sometimes we run into the limits of ISO choices in particular photographic conditions.  For example you are shooting a portrait in a low available  light setting.  Facial details and skin looks best at low ISO values (100-200) and raising the ISO to a high value will produce less than flattering results.  The solution to this situation it to use flash or other artificial light sources to keep the quality you desire.  More light is often a better solution than a higher ISO.
Digital cameras have very precise exposure refinement tools and a variable ISO option is one of the most important.  Understanding this feature and how to deploy, and how to select ISO for your scene ,to achieve your desired photographic result is essential for good image making.

Photographer and photo educator Dan Splaine of Test of Time Photography in Nashua, New Hampshire. ©2012Daniel J. Splaine

ABOUT THE AUTHOR:  Photographer and photo educator Dan Splaine has more than thirty years experience producing photography for public relations, marketing and editorial clients. His company TEST of TIME PHOTOGRAPHY based in Nashua, NH provides commercial photography services in studio and at client locations all over the world. He presents a program of digital photography workshops and photography tours for adults throughout New England.

 

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To Become a Better Photographer Look at Photography Critically

A tip for improving your photography

Do you ever look at the photography in magazine and on websites and think “why does this image look this good”?   Are you wondering why your photographs seem to lack the impact that you see in  professionally made photographs?   Let me first say that if you are asking these questions, if you are thinking critically about your photography – Congratulations!

 

Good photography is thoughtfully conceived and executed.   Devoting time looking at other photographers work and finding inspiration and insight in those images is an important way to improve you own photography.   Now, I am not suggesting that you mimic or outright rip off the work of other photographers.  My advice is to develop your critical eye, to learn how to find the qualities in an image that make it successful.  Use that insight to inform your own creative process and approach to image making.

How do we define an image as successful?  My standard for success is very straightforward: the viewer response.  If you make a photo that engages the viewer, which captures their attention and elicits a response, you are successful.  If the viewer is distracted by a technical flaw or bored, you’re not.  A response can be cognitive – your photo makes them think, emotional it evokes a feeling or perhaps they become engrossed in narrative the story in your photo.

Good photography engages the viewer, it captures their attention. Good photography also inspires, entertains and is a catalyst for action.  For example the photography of Lewis Hine (1874-1940) who used photography as tool of social reform.  His photography directly led to child labor law reforms because of the impact they had on the public awareness of the issue.

When you look at photography made by others begin to deconstruct the visual elements and creative techniques employed in its creation.  Break down the building blocks, the creative components of the shot. Analyze lighting sources  – quality and direction, subject features, composition, optical choices, camera position, color, tone, mood, emotion and all the features of the image.  Consider the relationship of these elements and the impression they have on you – the viewer.  Use those insights when you make your photography.  Identify the elements in your scene and use your critical assessment skills to arrange them in your camera frame.

Photographer and photo educator Dan Splaine of Test of Time Photography  in Nashua, New Hampshire. ©2012Daniel J. SplaineABOUT the AUTHOR:  Photographer Dan Splaine has more than thirty years experience creating original photography for corporations, institutions and individuals. He operates TEST OF TIME PHOTOGRAPHY in Nashua New Hampshire, a commercial photography and corporate assignment photography services company.  A live action and location photography specialist, he is most noted for his photography of people.  His assignments have involved travel to dozens of countries and at locations throughout the United States. ranging from tropical rainforests to the hall of Congress.

Dan Splaine is also a photography educator and  he presents a program of digital photography workshops and photographer tours.  The tours and workshops are held in New England and at international locations.

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What Photography Students Say About My Photo Workshops And Photographer Tours.

Ten testimonials from some of the photographers who have attended one of my recent digital photography workshop and photographer tours. 

I present a program of photography education for adult photographers of all skill levels.  I host my digital workshops at my studio in Nashua, NH and at locations throughout New England.   The photographer tour I organize at locations in New England as well at international locations.

Listed below are some of the testimonials posted by my photography students on the website of the IMAGE MAKERS PHOTOGRAPHIC WORKSHOP meet-up group I run. These comments are much appreciated and I think they show the level of positive experience my photo workshops offer to my photography students

 

“It was a great class. Dan was very informative. I really enjoy his easy-going and comical personality/instruction. He makes confusing concepts very easy to understand. Perfect Boston sites for this workshop.”  Izzy S.

“OMG, this was such an AWESOME Class! Dan was AWESOME! I learned so much and had so much fun! And I’m looking at my pictures now and I am SO PLEASED! They came out incredible! Thank you so much for your time and sharing your knowledge Dan!!! “  Erica M.

“A great opportunity to see Boston in a different light (pun intended!). Dan provides the foundation before letting us loose to shoot, then provides whatever amount of supervision/advice each person wants. Definitely recommend”  Marian

 “A lot of really awesome work to review this month! Dan’s informative comments about each participant’s individual shots are so helpful. These meetups are a great way to share knowledge and learn how-to’s from other photographers. Again, thanks Dan for putting all the time in and being so willing to share your knowledge.”  Sharon R.

 ”I always take away at least a few new ideas from Dan’s classes and this workshop not only did that but gave me a great way to challenge myself even more with a handout that included exercises. Thanks again, Dan.” Corinne C

 “Had a great day and shot some decent images. Now to work on editing. Met some new people, practiced a new technique, shot some good images, had a great lunch and got exercise. Can’t ask for more…Thanks Dan it was really great”   Laurie L-B

 “A very welcoming, fun, casual gathering of budding photographers,lead by a pro who graciously lends his time, studio space, knowledge and humor to the group. I’m looking forward to next month’s meeting”  Linda L.

 “Great weekend full of information and techniques…and the ability to go out and try these tips. It was wonderful that if we needed one-on-one assistance Dan was there to help. Thanks very much for a successful photo weekend getaway.”   Christine C

 “Thanks, Dan, for the well-presented workshop and accompanying worksheets. You’re great explaining all the points and oh, so patient with the queries.”  Jeanne P.

 “I loved the informal setting. It was very easy to ask questions and the discussions were very informative. I walked away with a better understanding of aperture, shutter speed and ISO. And also learned some valuable tips. I loved this workshop” Angela Smith

Digital photography workshop at the TEST of TIME PHOTOGRAPHY studio in Nashua, NH. The photo class is one of the many offered by professional photographer Dan Splaine at the studio and locations throughout New England. ©2012 Daniel J. Splaine - All Rights Reserved

 

My digital photography education program for adults includes field photography, studio photography, on-location sessions involving a range of photography topics. The photo tours are held in interesting locations and events around New England. For more information contact me at info@testoftimephoto.com  or visit the TEST of TIME PHOTOGRAPHY website and add yourself to my email list.

Thanks to all the photography student who attended one of my recent workshops and photo tours.  A special thanks to all of you who posted sch positive comments and testimonials. I look forward to seeing you at your nest photo workshop.  _ Thanks, Dan

 

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July photo Challenge FIREWORKS PHOTOGRAPHY

Have some summer fun with your digital  camera and join in the photography challenge for July 2012- FIREWORKS PHOTOGRAPHY.

 

Join in with the other members of the IMAGE MAKERS PHOTOGRAPHIC WORKSHOPS meet-up group for this photography education experience.  Register for the event (it’s FREE) and share your fireworks photography with this group of over 200 photographers.  You can download a FREE guide to Fireworks Photography prepared by me to help build your photo skills.  Photographers can also win a private photo tutoring session if they participate in this photographer challenge.

 

 

 

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2012 Photo Walk Workshops in Boston

PHOTO WALK WORKSHOPS presented by Dan Splaine and TEST of TIME PHOTOGRAPHY

I am happy to announce the launch of  a new program of photography workshops for the spring, summer and fall of 2012.  The PHOTO WALK WORKSHOPS will begin on April 28th and will run through October.  These digital photography workshops are open to adult photographers of all skill levels.  We will present these workshops at multiple outdoor locations which provide our photography students hands on field photography experience.

Digital photography students at a Photo Walk Workshop presented by photographer Dan Splaine in Boston's Chinatown neighborhood.  ©2012 Danile J. Splaine

The PHOTO WALK WORKSHOPS are led by a professional travel photographer who provides instruction and coaching during the 2 ½ hour workshop.  Our goal is to help photographers of all skill levels achieve greater creative control over their photography.  Combining conversation and  photo exercises helps our photography students learn how to use their digital cameras to make the photos they imagine.

By holding these workshops in unique and visually interesting settings around Boston and other New England locations present a learn-by-doing experience for our photography students.  Each workshop attendee receives a workshop study guide (via email) to help them prepare for their workshop session.  The study guide has information about equipment, photo skills and practice exercises.   We begin each workshop with a discussion of photography topics followed by a field photography session to practice photo skills.

Some of the locations of the PHOTO WALK WORKSHOPS are:

  • BOSTON COMMON AND PUBLIC GARDEN
  • BOSTON NORTH END
  • BOSTON CHINATOWN
  • NIGHT PHOTOGRAPHY IN BOSTON
  • ROCKPORT HARBOR
  • PORTSMOUTH, NH HARBOR

For complete information and registration go to the TEST of TIME PHOTOGRAPHY website.

Photographer Dan Splaine offers photography workshops and photography tours in locations throughout New England. If you have any questions please contact us at photowalk@testoftimephoto.com

 

 

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Street Photography Workshop at Chinese New Year Parade

On Sunday I held a street photography workshop during the Chinese New Year Parade festivities in Boston’s Chinatown.  Sixteen photographers  joined me for a day of  photo education and  image making. The Lion Dancers and festivities made provided a unique subject to photograph and plenty of excitement.

Street photography is one of the oldest traditions in photography.  As camera technology became smaller and more mobile (Moving from large format view cameras to smaller roll film cameras) photographers turned their cameras  to the realities and moments they observed around them.  The aim of this workshop was to immerse the participants into the urban environment and to  have them practice this type of on the fly documentary photography.  Despite the cold and crowds, they were able to make some remarkable images.

Check out the results on the group Flickr page.

This workshop is one of the program of digital photography workshops and photography tours that we offer at Test of Time Photography.  Our objective its to build photographer skills and creative abilities so our students can create the images they imagine.   This was a fun event and a great way to start of the year.

 

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